Author Archives: Jonathan Williams

The Avengers disassemble in “Captain America: Civil War”

Captain America: Civil War

Photo by Film Frame.

Only a couple of months after DC’s top heroes did battle in Batman v Superman: Dawn of Justice, Marvel’s Avengers are at odds with one another in Captain America: Civil War. Loosely based on the comic book series of the same name, Civil War finds the superhero team continuing to save the world from villains like Crossbones (Frank Grillo) while receiving growing scrutiny for the toll these battles take on the surrounding areas. Even the Avengers themselves can’t deny that chaos and destruction seem to follow them wherever they go, and the subsequent damage and death of innocents overshadows the good they are trying to do. In order to better keep these superhumans in check, the United Nations proposes the Sokovia Accords, an international institution to govern the activities of the Avengers and other superpowered beings.

Tony Stark (Robert Downey, Jr.) urges the rest of the Avengers to sign the Accords in order to stay in the public’s good graces and avoid further conflict with the world’s governments. Captain America (Chris Evans) feels that the Avengers should be able to act freely rather than get bogged down in bureaucratic processes, refusing to compromise. Never known for seeing eye to eye, Iron Man and Captain America’s friendly rivalry becomes more and more heated, especially after a bomb goes off at the Vienna conference where the Accords are to be enacted. When the Winter Soldier Bucky Barnes (Sebastian Stan) becomes the main suspect, tension reaches an all-time high within the Avengers.

Photo by Film Frame.

Photo by Film Frame.

As the battle lines are drawn, the rest of the team chooses its sides, joined by new Avengers Black Panther (Chadwick Boseman), Ant-Man (Paul Rudd) and Spider-Man (Tom Holland). When these forces collide in an epic airport battle scene, it’s what every comic book fan has imagined it would look like if the pages of their favorite books were to spring into live action. After the battle ends and both sides realize they have to work together to stop Helmut Zemo (Daniel Brühl), who has been playing the Avengers against one another while he tracks down the other five Winter Soldiers. But when Zemo reveals a dark secret that connects Cap and Bucky to a tragic event from Stark’s youth, an enraged Iron Man lets loose on both of them, resulting in yet another brutal fight that leaves all three of them in bad shape.

Considering the punishment the Avengers take at each other’s hands in Civil War, it will be interesting to see how things play out in the Marvel Cinematic Universe. But for those who stick around for the post-credit scene, there’s a pretty strong clue as to how this web will continue to be spun.

marvel.com/captainamerica

The Casket Creatures get “Deranged” with latest horror rock release

It’s been a crazy time for The Casket Creatures in the three years it has taken them to finish their third full-length album Deranged. With guitarist Derek Obscura now moonlighting as a member of Davey Suicide‘s band, vocalist (and Wrestling with Pop Culture contributor) Ryan Cadaver, bassist Cliff Damage and Obscura remain the core Creatures, with a rotating cast of drummers keeping the beat. Just as the She Screams EP showed a monstrously more accomplished band than we’d previously heard, Deranged displays the Creatures’ diversity within the horror rock genre.

DerangedWhile the blood-spattered cover photography by Kevin Mayfield (who fills in on guitar in Obscura’s absence) is reminiscent of American Psycho, there is no direct reference to this movie on the album (though the title track does tell at tale of a proud Patrick Bateman-like misanthrope). Instead, we get metal songs like “Springwood Slasher,” clearly inspired by A Nightmare on Elm Street, and the more melodic punk of “Just Like Tucker and Dale,” based on the comedy horror film Tucker & Dale vs. Evil. Other songs, such as “Blood Junkies,” “Raise the Dead” and “The Man Who Cheated Death,” could very well be about some obscure vampire, zombie and slasher films. They’re more likely, however, the result of the band’s general obsession with scary movies and punk rock.

Stylistically, the band remains firmly entrenched in the horror rock coffin while incorporating a deadly mix of pop punk, heavy metal and a touch of rockabilly. The opening staccato of “Devils Trap” is reminiscent of Green Day’s “Brain Stew” while Cadaver channels Megadeth’s Dave Mustaine on “Death Comes For You”. Then there’s the ’50s doo-wop of “Gore on the Dancefloor 2,” the crooning sequel to the more aggressive song from the band’s 2011 debut Tales from the Unknown, which, despite being a departure, fits right in with the rest of Deranged.

Like many horror rock acts before them, there’s always a comedic element to The Casket Creatures that keeps their morbid topics fun. “Planet Wolftron” and “Zombie Werewolves From Outer Space” were the sillier standouts from She Screams and have become fan favorites. The Deranged bonus track “VIG” is poised to become the band’s next crowd pleaser, with it’s satirical look at very important ghosts looking to live it up on the opposite side of the velvet rope in the afterlife.

Deranged offers a little bit of everything fans have come to love about The Casket Creatures, with a few new surprises, all in a cohesive collection of new singalongs. As has been the case with each previous release, the band continues to grow with each new album. That’s not to say the band has matured, though. These guys need to maintain their immaturity in order to keep cranking out music like this.